tag:blogger.com,1999:blog-8184562969471581744.post1936223483513847627..comments2024-03-04T02:09:30.979-06:00Comments on One Man's Pony Ramblings: Seeing Through Your Characters’ Eyes: The Finer Points of PerspectiveUnknownnoreply@blogger.comBlogger2125tag:blogger.com,1999:blog-8184562969471581744.post-52637501830549986222017-08-17T15:14:19.640-05:002017-08-17T15:14:19.640-05:00I tried to go to *all* of them, wound up missing c...I tried to go to *all* of them, wound up missing critical author-author interactions, and know better how to spend my time next year.<br /><br />Anyway, panels. I found it fascinating to listen to the panels and realize (since I'm a seat-of-the-pants writer) just how I arranged some of my stories to make the emotional impact greater by how I did perspective. As an example, I'm normally a head-hopper, but I intentionally wrote Changelings, Love and Lollipops and Buggy and the Beast as single POV to drag the reader into the story. (Hopping is distracting, even though it lets you show all the fascinating corners of your wonderful world). That paid off with writing single POV on The One Who Got Away (Gaberdine) and Drifting Down the Lazy River (Turpentine).<br /><br />Now I need to go back and watch the Youtube's of all the panels I missed.Georg Felishttps://www.blogger.com/profile/03550333227450728733noreply@blogger.comtag:blogger.com,1999:blog-8184562969471581744.post-89523466260939751302017-08-16T00:43:48.463-05:002017-08-16T00:43:48.463-05:00I went to that panel with the four of them. It was...I went to that panel with the four of them. It was pretty good, but that Dubs guy was the cutest. I just want to listen to him all day long.Trips Relistenernoreply@blogger.com